Tag Archives: poetry

I was Man for a Day at the Swindon Festival of Poetry

8 Oct

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That sounds fun, I thought, about being a man for a day. But I didn’t expect it to be such a challenge.

I don’t mean keeping the boobs flat (damn bandages kept rolling up), or keeping my ‘penis’ in place, or even perfecting the man’s walk when, essentially, a woman’s hips are different to a man’s.

Yes, these were annoying but all the women poets taking part in Diane Torr’s Man for a Day (Swindon Festival of Poetry) had these problems and it created a certain comradeship between us.

No, what was hard was knowing what kind of man I wanted to be. And this journey – for a while at least – was a lonely one. Did I want to be myself, but male? Did I want to be a man I admired? Or a man I didn’t?

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Battered Moons at the Swindon Festival of Poetry

7 Oct

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This year’s poetry competition didn’t quite go to the moon and back but they certainly made it to the other side of the world.

Judges David Morley and Cristina Navazo-Eguia Newton both took the entries on their travels. On the plane to Australia, David shared the poems around the passengers and asked them to read the poems aloud. Cristina took hers to her native Spain.

A good proportion of the winning pieces were about birds. “I’ve got a feeling some of the entrants researched my interests,” remarked David who’s into ornithology. Continue reading

Squandermania with Don Share and Barry Andrews at the Swindon Festival of Poetry

4 Oct

I guess the obvious question is: did I manically squander my evening last night? So I won’t ask that.

The music was very Cinematic Orchestra / The Free Association (David Holmes) – sinister moody-style jazz travelling from 1970s Shaft to Lemon Jelly.
And Don Share, editor of Chicago-based Poetry magazine, recited to the music.

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Imagined Sons with Carrie Etter at the Swindon Festival of Poetry

4 Oct
Carrie Etter

Carrie Etter

Quite an emotional day yesterday, beginning with Robert Peake and then Carrie Etter. Not to mention the film There is Nothing in the Garden with its toy babies in toilets on day one of the Swindon Festival of Poetry.

Carrie read from her third collection, Imagined Sons. It’s a surreal package of work about ongoing life trauma / serious stuff to work through about giving her son up for adoption at the age of seventeen.

Poetry might be wonderfully cathartic to write but it’s also an invitation to talk openly about traumatic subjects. I had no compunction in talking afterwards to both Carrie and Robert about both their losses knowing that it was almost certainly okay. There isn’t the embarrassment of the unknown, of how they would like me to act, the worry of causing emotional upset – I already had a heads up on where their heads are at. Continue reading

Surprising yourself with Cliff Yates at the Swindon Festival of Poetry

3 Oct

I guess the most surprising thing about this poetry writing session was that I managed to write four pieces.

I wasn’t surprised about the range of poetry written by people – some wonderful, some in need of work, Cliff offering advice. We were asked: who would we like to be? Where did we visit? Who was the surprising guest? And: there is/are plenty of – what in my house? We were prompted to observe and record the surprising details to bring alive our verse.

I am always worried (but not surprised) at a smile response at my work. That says: yep, that doesn’t stir any emotion, or, sorry what were you saying? It was so boring I forgot it instantly. I could interpret it as: ‘that’s perfect as it is’. But that wouldn’t get me anywhere. Next time perhaps I’ll write something really atrocious and see what happens. Or maybe that smile is the ‘really atrocious’ response?

Neuroses aside, I am left with a question. Surprisingly for me I was reticent to talk. I looked around the room, at the quality of poets present, and felt I would waste everyone’s writing time if I asked why the poem Cliff had read to us by way of example, was actually a poem. Don’t get me wrong, I loved it, but it looked like flash fiction with really short lines. Answers on a postcard.

Props to Cliff though – prompts and space to write. Suggestions to do your own thing. Not expectations of form or the such like. And a top piece of advice for newly scribed work? Lose the last two lines.

And for anyone who’s interested, here’s one inspired by the surprising visitor. Totally true, y’all:

The Morning After

There we were
Lying around, pyjama clad
Fuggy voiced
Toxic sweat.

The phone rang. ‘Sorry I couldn’t make it last night.
Could I take you up on the offer of coffee? It’s Peter, your neighbour.
Can I come now?’
A brief pause. Sticky sweat trickles. ‘Okay.’
He asks: ‘Do you have fags?’ Continue reading

I rejected Harold Pinter – the Editor’s Role, Swindon festival of Poetry

3 Oct
David Caddy and Martin Malone

David Caddy and Martin Malone

Yesterday, David Eddy was discussing the Editor’s Role with fellow poetry editor, Martin Malone. It began innocently enough. Lots of helpful tips to poets, looking at improving their publication chances.

‘Nurturing’ and ‘nourishing’ were bandied about. Don’t publish in haste, not while you’re working through the strokes. Develop as a poet, don’t write the same old thing over and over. Make it strange. Don’t do creative writing courses and become a clone.

“I take poems on their own merits,” said David. Which sounded encouraging. He publishes work with the poet’s name at the end, not at the start so readers aren’t influenced by the fame of the writer.

But then the ‘Tears in the Fence’ editor dropped the bomb. “I rejected Harold Pinter,’ he said. Continue reading

Don Share bonds with Dog at the Swindon Festival of Poetry

2 Oct
Don Share

Don Share

After a welcome tea, hearty Lower Shaw Farm style, festival organiser Hilda Sheehan introduced her poetry hero, clutching a bag.

The contents included a mug (for copious tea) and soap. The latter wasn’t a comment on Hilda’s personal hygiene; Don Share – the bearer of the gifts – was mindful that Hilda is a long time avid listener of his podcasts, in the bath.

It was an internet romance that brought Don, editor of Poetry magazine, from Chicago to Swindon. Don, Hilda and Michael Scott bonded on Facebook over a love of band XTC in the seductive form of Swindon resident, Barry Andrews and, Don said, ‘the magic of Hilda and Michael’s generous personalities.’

“British poetry is so exciting to me,” he enthused, but it’s hard to come by the work in the States. “I want to take British work back with me and bring them to the attention of the American public.”

His first poem, Being Philosophical, was dedicated to the festival mascot, Dog.

Don is at the festival for the duration. See Squandermania, the wonderful baby born from a collaboration between Don and Barry today, 8pm at Swindon New College.

Written by Louisa Davison

There is Nothing in the Garden at the Swindon Festival of Poetry

2 Oct

I can see why the Swindon Festival of Poetry organiser, Hilda Sheehan, invited filmmaker Helen Dewbery and poet Chaucer Cameron to present their poetry film, There is Nothing in the Garden.

To the founding editor of Domestic Cherry and the creator of 1950s housewife persona, Mabel, There is Nothing in the Garden would seem happily all over the woman’s perspective. Continue reading

Zena Edwards – Marlborough Lit Fest

25 Sep
Zena Edwards

Zena Edwards

A night out with poet Zena Edwards is like having a really good guest to dinner, without the food.

The Ellis Theatre at Marlborough College, for the first event of the Marlborough Literature Festival, has the look of a school hall-cum-theatre but the intimacy of Zena’s voice and her warm demeanor made it feel like a jazz club or cabaret bar.

I must admit I got a bit of a girl crush on her voice; it was born to read poetry and sing poetry. She made words like ‘rock’ seem firm not hard and ‘ocean’ like a rolling calmness.

Zena tells us she falls in and out of love everyday; she cries, she laughs and then plucks something from it to write about. Continue reading

What I did last summer part 1

25 Sep

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This summer we got stuck in the mud experiencing dance in unexpected places, witnessed a choreographed trolly dash, saw a huge iron man, made a massive spider and became its colourful minions!

The fun started in Swansea back in July; off we trekked to Wales to see Taliesin Dance Days.

I was there for a dance festival in ‘unexpected places’ and ended up with a bonus of unexpected poetry.

On arrival I first reached for the smart phone in the car park – a massive painted sign proclaimed: ‘More poetry is needed.’ On posting the pic, the Facebook hive mind told me it was by artist Jeremy Deller. Continue reading